The proof of a lady
Katherine Mansfield’s hair is proof.
A sparrowed coil on a cream satin nest in an acid-free box, in a temperature- and humidity-controlled room underground.
Alex, who’s teaching me my job,
said we had her pubes in a locket. Did she cut them off and send them I ask, or, how did we get them?
For a period of time I know you
dreamed of her, Katie, every night that you masturbated. Not sexual dreams though, just
her in a red dress with a square collar
and severe hair, eating pâté and playing gin rummy with you in a parlour somewhere.
A lost blue earring that you
both spent a whole afternoon rearranging a sand dune for.
She looked different every time
but you always knew it was her — pulling you up behind her on a black horse and trotting you past your grandparents’ house. Once she guest lectured your literature class.
Remember, you asked me for a loop
of my hair before I had it coloured to something you didn’t trust. Not creepy, because I love you, you said, tying it with cotton and writing the date on an envelope. I wonder who will find this when I’m dead.
In the archive room, her hair is kept
with her typewriters and an embroidered Chinese shawl. The parts of her body start to make sense, her fingers on keys, her shoulder blades under silk. We keep what we can of the people we love.
Katie runs a middle finger around the face
of her watch as if it’s a crystal goblet. The music she makes — you might be the only living person who remembers it.
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